L’exil et le retour dans l’œuvre artistique de Djamel Allam : Une approche interculturelle

Abstract

Our study explores the themes of exile and return in the artistic work of Kabyle singer Djamel Allam. It examines how he approaches these subjects and the uniqueness of his artistic productions. Additionally, it delves into the distinctive cultural elements of Kabyle culture and their use in a plural and multicultural context. Following the analysis of a corpus of Djamel Allam's songs, the hypothesis that his approach to exile is unique has been confirmed. Indeed, he goes beyond themes of immigration and exile by attempting to universalize them. As for the return, it is experienced as a double cultural incommunicability. To address this, Djamel Allam evokes ritual practices specific to certain Kabyle regions and compares them to those of other regions in Kabylie. This evocation of cultural elements further contributes to intercultural education.

Agzul
Tazrawt-a tewwi-d ɣef temsalt n yinig d tuɣalin deg umahil n unaẓur aqbayli Ǧamal Ɛellam. Tessastan ɣef wamek i yecna sin n yisental-agi, d wacu i yeǧǧan ccna-is ad yili d ameẓlay (d amxallef). Akken daɣen i terra lwelha ɣer yiferdisen idelsanen iǧehden deg yidles aqbayli d usemres-nsen deg wattal asget d ugetdelsan. Deg tesleḍt n wammud, nwekked-d turda i d-yeqqaren belli tarrayt i s yecna Ǧamal Ɛellam inig d tuɣalin d tameẓlayt, acku yeɛreḍ ad yessekcem asentel n rrwaḥ d yinig deg tegraɣlanit. Ma d ayen i yeɛnan tuɣalin, imi asentel-agi yekcem deg taraywalt tadelsant (imdanen ur d-senfalayen ara fell-as), Ǧamal Ɛellam, yettawi-d deg-s ɣef tigawin tifuglanin n kra n temnaḍin n leqbayel, i d-yessenfalayen tamsalt-agi. Asemres n yiferdisen idelsanen yettalel deg usedwel s umyedles.